Editorial illustration consists of analyzing and interpreting a text, so that the images created from it enrich and complement it. We have all seen an illustration in a print publication, and in the digital age, it is still in high demand for illustrators and designers. Learn a little more about its origins, basic principles and what it takes to start working in this creative discipline. What is editorial illustration and how can I get started in this discipline? 1 Emma Hanquist analyzes current issues, such as our relationship with the environment. What is editorial illustration? In the classic sense of the term "illustration", it was accepted that its basic function was to be associated with a text.
Over time, that notion was extended to accept that illustration itself is capable of visual communication without using words. While illustration evolved by separating itself from the pictorial arts to find its own niche, it diversified: scientific illustration, advertising, humor, etc. emerged. Editorial illustration is used in all types of editorial publications. Since its inception, when company banner design appearing in journalistic media, it has focused on current issues, and many times, just like the author of a text, the illustrator becomes a critic of reality through his work. Illustration by Emma Hanquist ( @emmahan ), teacher of the Editorial Illustration for Magazines course .
What is editorial illustration and how can I get started in this discipline? 4 Emma Hanquist specializes in editorial illustration. origins Editorial illustration exists even before the appearance of the printing press. For mass production, engraved wooden plaques were used, which were then printed with ink on paper. Editorial illustrators allowed themselves to be sharply critical of what was happening in their time and society, so editorial illustration had an important political role from the start. Read more here about the work of Sir John Tenniel , known for his illustrations of Alice in Wonderland, but who had a notable career as a political cartoonist. He collaborated for 51 years! In Punch magazine, in which he published more than two thousand illustrations.